merchant of venice act 3, scene 2 summary

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Learn exactly what happened in this chapter, scene, or section of The Merchant of Venice and what it means. Next. Instead, he chooses the casket made of "meagre lead," which is the least attractive of the caskets — if they are judged by appearance alone. If Bassanio chooses incorrectly, Portia reasons, she will lose his company. Shylock tells … Both Bassanio's speech and his choice of caskets touch on one of the central themes of the play — the contrast between appearance and reality; what appears to be valuable (gold and silver) turns out to be worthless, and what appears to be worthless (lead) turns out to be valuable. Bassanio rejects both of these caskets, and his reasons are significant in the total meaning of the play. Characters : Launcelot, Jessica. Nerissa and Gratiano congratulate the lovers and announce that they also have made a match and ask . Now, with the arrival of Lorenzo, Jessica, and Salerino from Venice, these two worlds meet, and the evils of wealth, spawned in Venice, disrupt the happy serenity of Belmont. Turning to Salerio, Bassanio asks, “But is it true? She declares: "One half of me is yours, the other half yours — / Mine own I would say; but if mine, then yours, / And so all yours!" He confesses that he is deeply in debt to "a dear friend" who in turn is in debt to a dangerous enemy. Read a character analysis of Shylock, plot summary and important quotes. Merchant of Venice Act 4 Scene 2 Summary. He speaks of feeling as though he were strained tautly on the rack. This long scene brings the casket story to its climax with Bassanio's choice. ICSE Solutions Selina ICSE Solutions ML Aggarwal Solutions. Salanio and Salarino are concerned by news that Antonio has lost a ship. Original Text Act III Scene II. In Bassanio's absence, she and Nerissa "will live as maids and widows." Bassanio inf… As Portia welcomes her fiancé's old friends, Bassanio opens Antonio's letter. Should Bassanio choose wrongly, she will literally be a sacrifice to a later, unloved husband, as well as being forever a victim of unfulfilled love. We are thus reminded of the way in which the Princes of Morocco and Arragon were taken in by the outer appearance of the gold and silver caskets. Another idea that Shakespeare is developing here is concerned, again, with wealth. ... Act 2, Scene 8, Page 3 Act 2, Scene 9, Page 2. This admission, in turn, relieves Portia’s anxiety somewhat, and her old spirit of jesting returns and she wittily picks up on Bassanio’s choice of metaphor and teases him. Understand every line of The Merchant of Venice. Bassanio, however, begs to choose one of them. The exchange of vows between Portia and Bassanio is conducted at an intense and exalted level. Gratiano, Lorenzo, Salarino, and Solanio discuss their plans for Bassanio's dinner party that night. After Lancelot leaves, Jessica remarks, Jessica thus informs the audience that she is in love with Lorenzo, a Christian. And so Bassanio finally comes to choose the least likely looking casket — the leaden one — and, of course, his choice is the right one. Portia asks Nerissa to go and get the signature of Shylock on the deed of gift. She declares: “One half of me is yours, the other half yours — / Mine own I would say; but if mine, then yours, / And so all yours!” This makes absolutely no sense at all; she is nearly giving in to her urge to tell Bassanio directly of her love for him. When Portia understands that it is Bassanio’s “dear friend that is thus in trouble,” she offers to pay any amount to prevent his suffering “through Bassanio’s fault.” But first, she and Bassanio will be married and then immediately afterwards he must go to Antonio’s aid, “for never shall you lie by Portia’s side / With an unquiet soul.” In Bassanio’s absence, she and Nerissa “will live as maids and widows.” Bassanio then reads to Portia the full contents of Antonio’s letter, Antonio says that he wishes only to see Bassanio before he dies; his plans “have all miscarried,” he says; his “creditors grow cruel”; his “estate is very low”; and his “bond to the Jew is forfeit.” Yet, Antonio says, all debts between him and Bassanio are “cleared,” and he says that he wishes only “that I might but see you at my death.” Portia comprehends the gravity of the situation. Shylock is … Summary. The Merchant of Venice Act 3 Scene 3 Summary Workbook Answers The Merchant of Venice Act 3 Scene 3 Summary. At Shylock's house, Jessica, who is his rebellious daughter, laments Lancelot's impending departure. The Merchant of Venice Act 2 Scene 3 Summary. She asks him to "tarry," to "pause a day or two," to "forbear awhile"; anything, she tells him, to keep him from possibly choosing the wrong casket. Salerio says that he has come with a letter from Antonio to Bassanio, and that he met Lorenzo and Jessica, whom he persuaded to come with him. Act 2, scene 3. Bassanio promises to wear the ring as long as he lives. Bassanio's conduct suggests that the only use for wealth, for "all that he hath," is in giving or risking it in the pursuit of happiness, not in hoarding it or worshipping it for its own sake. Consequently, Bassanio rejects the golden casket; it is a symbol for all “outward shows”; likewise, he rejects the silver casket, calling it a “common drudge / ‘Tween man and man.” Instead, he chooses the casket made of “meagre lead,” which is the least attractive of the caskets — if they are judged by appearance alone. A summary of Part X (Section3) in William Shakespeare's The Merchant of Venice. She begs him to share the cause of his anguish, and he tells her that he has just read “the unpleasant’st words / That ever blotted paper.” He confesses that he is deeply in debt to “a dear friend” who in turn is in debt to a dangerous enemy. and any corresponding bookmarks? SCENE 1- Act 3 begins on a street in Venice with Salanio and Salarino. Jessica feels sad that Launcelot is going to quit. Alongside Portia's portrait, there is a scroll which tells him, "Turn you where your lady is / And claim her with a loving kiss." Portia asks Bassanio to postpone choosing the casket for some time as she would lose him if he were to choose wrong. The Merchant of Venice Act I, scenes i–ii page 1 of 2 Summary: Act I, scene i Antonio, a Venetian merchant, complains to his friends, Salarino and Solanio, that a sadness has overtaken him and dulled his faculties, although he is at a loss to explain why. Bassanio must leave at once. So by introducing Launcelot and Gratiano in the play, Shakespeare catered to the taste of the Elizabethan audience. Bassanio tells her that he is desperate to choose, and feels like he is being tortured the longer he waits. Not one, Salerio replies, and besides, even if Antonio now had the money to repay Shylock it would do no good, for Shylock is already boasting of how he will demand “justice” and the payment of the penalty for the forfeited bond. He speaks of feeling as though he were strained tautly on the rack. We come to know about Antonio’s miserable state, He has been allowed to leave jail for a short time. Merchant of Venice Act 4 Scene 2 Summary. Themes and Colors Key LitCharts assigns a color and icon to each theme in The Merchant of Venice, which you can use to track the themes throughout the work. Portia and Bassanio have presented their idyllic romantic love as something ideal; Gratiano readjusts the balance by the reminder that love is a physical as well as a spiritual union. . The Elizabethans would have loved this ribald touch. The audience is taken back to Venice. All rights reserved. This admission, in turn, relieves Portia's anxiety somewhat, and her old spirit of jesting returns and she wittily picks up on Bassanio's choice of metaphor and teases him. On a street in Venice, Shylock presses the jailer to go after Antonio, calling Antonio a fool who lent out money for free. Antonio keeps trying to plead his case, but to no avail. If we ask ourselves why Bassanio is enabled to judge rightly when others fail, the answer is simply that his motive is love, rather than pride or the desire for worldly gain. Bassanio, she says, must “First go with me to church and call me wife, / And then away to Venice to your friend!” With such decisive ingenuity, it comes as no real surprise to us later when she is able both to conceive and successfully execute the strategy of the lawyer’s disguise and the courtroom victory over Shylock. Portia agrees to the double wedding, and Gratiano boastfully wagers that he and Nerissa produce a boy before they do. Notes. When Bassanio’s choice is made, Portia prays in an aside for help in containing her emotions. Act 2, Scene 3. The words seem to warn him not to judge by external appearance. Already she has fallen in love with him, and she fears the outcome. Act 2 : Scene 8 Summary – The Merchant of Venice. Salarino tells Salanio that Bassanio and Gratiano have sailed for Belmont and Lorenzo was not with them. Twice, we have watched Portia prepare to become a sort of sacrificial victim, as it were, to unwanted suitors. Should Bassanio choose wrongly, she will literally be a sacrifice to a later, unloved husband, as well as being forever a victim of unfulfilled love. He extends this perception to law, religion, military honor, and physical beauty. Salerio says that he has come with a letter from Antonio to Bassanio, and that he met Lorenzo and Jessica, whom he persuaded to come with him. This witty wordplay has the effect of delaying the choice of caskets and further allowing Portia to relax and display her spirit and sense of wit. Before he chooses one merchant of venice act 3, scene 2 summary them Shylock ’ s ships returned safely being tortured the longer he waits, is... A good distraction from the four corners of the play, Shakespeare catered to the,. 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